Johnny's Juice

Yeah, my contributions to I do t So the first t Started out as a graph writer. We serrated my cousin's cup and jives. Then I moved on to B-Boy. B-Boy all throughout the late 70s, early 80s. Living in the Patterson Projects in Michelangelo. Next door to Joe Conzo actually. Then on I saw the DJ and that was what I had to be. So I became a DJ thanks to my cousin Benji, Big Ups. Living in the Mount Haven section of the Bronx, I seen flash. I know them guys do their t I just had to be a DJ. I moved up the ranks there. Of course I wanted DJ battles. I moved to Long Island in the mid 80s where I met Charlie Brown and Buster Rimes. Before they were Charlie Brown and Buster Rimes they became my group. We had a group and eventually we led us to a battle at 510 South Franklin where I eventually became a member of the Bomb Squad. So that was the beginning of my recorded But I've been around a t People don't know. That's fine. I mean it doesn't matter who knows. I know. That's cool with me. The Public Enemy t Working on the first two Public Enemy alb Everyt Slickwix's first alb Beastie Boy's first alb P Nation of Millions. B I worked with Vanessa Williams. I did all the Bomb Squad stuff we did in the early days. Obviously industry politics led me to leave the industry for a little w I went to the military. And then I came back. T I had a different role. A little more visible. But I would say that my contributions to But I'm just happy to even be allowed to express what I do for a living. I make a living doing it. And making some people happy at the same time. Providing music that people will enjoy for a long time. Because making a hot record is easy. Making a classic record is.