HL AUDIO


INSTALACION DE Alarmas Estereos Amplificadores fabricasion de baffles sobre medida y modificasion en tu auto de tu sistema de audio y video


Hello, We are here at the stand of HL Audio, next to me is Sven Conquest and he will explain to us what he is doing and what he is doing. What are the Oxford has released a suite of restoration plugins from the hammer last year, KS Digital has the famous C5 Tiny, two new models are also available. Sony has the digital wireless with the 19 inch receiver in the current program and with the Torpedo we have a pretty cool t Ok, let's take a closer look at the Torpedo. The output of the Marshall is the input into the Tornado. Sven, correct. And then what happens? The Torpedo is able to accept up to 150 watts of a power top, guitar top. The signal is then turned on digitally, that happens 24 bit, 192k, so I t We have the choice of 16 different guitar boxes, bass boxes, w These can be combined with an selection of 8 useful studio microphones. We have the classic, the Tornado, w Md421, you can see that on a 2x12 box. We have t And then finally to allow the signal to emulate a real studio situation. So we have the loudspeaker box, we have the microphone, we have decided and are now able to place the microphone as in the studio, before the loudspeaker box. T You do t We don't want to run, we want to help the guitarists, but ultimately have That means the box is emulated and the microphone recording is emulated. And I can also sample my own set myself, that is, when I am in the studio, I have my build-up. The sound engineer is really happy with my guitar sound and I do a sample of it myself and have my sound available. That is interesting for studio guitarists, for session guitarists and for musical guitarists, or for people who just don't want to have stress with their neighbors. The big advantage is that the amp is in the power-soak, a box is emulated, but I don't produce any loudspeaker. So it can be used in the apartment, practice, practice and so on. You have a very good head-head speaker in here and the loudspeaker is relatively good. You can hear the ears well, but still your wife won't notice or your neighbor will. We are of course very professionally equipped, with digital AES, EBU, SPDIF, symmetrical line outputs. So this thing should basically set the Live mixer, the FOH or the tone engineer as a signal to be available, which sounds You can develop more and more, you can set your sound, save everyt You can change it easily, whether it is live in the studio. Interesting style. Thank you Sven. So, here is Markus Walig, Sven Conquest's partner. Markus, Hello, What do you show us today? I would The idea is that we can transfer less channels in the analog field, and also have So we send the signal from hand and pocket to the receiver on a digital level. We generate data power in the AES, with 24 bit, 48 kHz, w It sounds better, it is more stressful, because I can operate more channels, have Another point is that we also want more comfort for the operator, because now it is 24, 48, 80, 90 channels in use, to not lose the overview. That is why we can control the hand signal and the pocket signal. The trick is that in the receiver there is a 2. 4GHz WLAN transmitter, and in the transmitter there is a 2. 4GHz WLAN receiver. That means the Uaf-strike is not disturbed, because we take the 2. 4GHz band here. The WLAN is only for control. The audio transfer works normally in the 800 MHz area of u200bu200bUaf. To demonstrate it briefly, I press here once, so I have the pocket signal in hand, w The t Okay, very interesting, Markus, thank you. So here on the computer monitor we see the Sonorx Restore package, and Markus wants to tell us somet Yes, the idea is that everyone of us, when he produces or, above all, produces live, sometimes has a noise on it, so a cry and pop and click or a r What we see here is the buzzer, which deals with dr You can do a lot of t And the problem is always to say, what is my noise now, and what is my percussion or my tr So what are transients that belong to the sound and what are clicks? Difficult to distinguish sometimes. That's why there is t You can see here, for example, at these bubbles, what the system is currently setting as click or as crackle. And now I can t And so I can set my clicker by different parameters, I can choose it and can see it visually, when somet That's the idea be It's all simple, but you go to sonorxbuckins. com, download the 14th LED demo and try it out. Or you go to the SAE and say, I would Markus, thank you very much. Great, so if you are interested in that, and you will come to the music fair tomorrow, you can watch and listen to it here. And otherwise, thank you very much, Markus. And then we'll go on again. Bye, thank you very much.

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